What makes a great Winter Wedding? Sparklers, for sure. Some fur trim, maybe. A great venue like Lympne Castle helps of course, decked out with - or at least as far as I counted - half a dozen Christmas trees. Good weather and good light helps. And good timing. But we know what makes a great wedding any time of the year, really, don't we. A great couple with wonderful family and friends.
And that's where Charlotte and Dan got it so right. Both laid-back AND on point, they let their day unfold without fuss, without the appearance of effort, yet totally organised and perfectly timed. And what a lovely day it was. In keeping with the spirit of Christmas Charlotte had chosen and organised for her mid-December wedding a really tasteful winter theme of red and white, simple and effective, with stunning vintage styling for both the girls and boys.
My own theme, as photographer started out obsessing with hairspray shots and reflections...
I think we're gonna need a bigger can of hairspray!!!
Lympne Castle dates back to the eleventh century when it was built for the Archdeacons of Canturbury on the edge of a cliff over the Romney Marshes. The view that you see today of countryside stretching to the coast was mostly under water, submerged beneath the sea which, unlike most coastal areas, has actually retreated, which I think is fascinating. The castle was rebuilt in the fourteenth century incorporating a building with a tower at each end, and it is thought that the square tower may be on the site of an original Roman watch tower. If this is the case then Lympne's history dates back two thousand years! Restored in 1908 to its present condition, the castle boasts the kind of dark wood panelling and generous casement windows that let the light flood in and then get soaked up. This goes some way to explaining why I loved shooting bridal prep here and may have gone overboard.
The light is redolent of a Vermeer painting, wonderfully soft and falling off rapidly into areas of shadow, giving Charlotte a little the look of a tudor Princess.
Well that was my obsession with light and reflections and hairspray well and truly put to bed. But it's well worth taking a moment to congratulate the venue. While everyone was made to feel comfortable and looked-after throughout the day, the staff at Lympne had gone all out to make sure the spirit of Christmas was round every corner.
And while the girls took their time getting ready, as is only right and proper, and very much the way with girls at weddings, the boys, true to form, had showered and changed in less time than it takes to eat that ever-so-vital cooked breakfast.
Ooops! Bless. When the ring-bearer took a tumble and dropped the rings, we were worried for a moment. And that's what best men are for, as Dan's right-hand man gallantly stepped into the breach and quickly retrieved the rings and popped them back on the cushion.
Who doesn't love a Christmas winter wedding!? With sparklers and christmas trees and log fires and a medieval castle and a gorgeous couple working their vintage style in the Kent countryside. And we got beautiful December sunshine! Congratulations Charlotte and Dan xA great couple, a great venue, a great day with awesome friends and family. Congratulations Charlotte and Dan, and Merry Christmas! x
Some couples like to have everything 'just so', planning every last detail down to the last hairpin, taking everything so seriously.
And some couples just wanna have fun...
The day started, as usual, with the boys. While unflustered groom Matt and his brother nursed their hangovers, I grabbed a few detail shots.
While Dad did the important work of rustling up a full English, that staunch cornerstone of a wedding day, and the ultimate breakfast of champions.
And the boys did the equally important and no less gruelling work of breakfasting.
And then it was down the Tunbridge Wells Hotel, in the picturesque and quintessentially English Pantiles. We were blessed with a glorious and very un-English hot sunny spring day. Since the refurbishment in 2012 the hotel boasts the perfect mix of modern comfort and convenience with Regency charm and character.
Queen Victoria made frequent visits to the hotel in the early part of the 19th century and later granted the use of her coat of arms, which is displayed at the top of the building. Queen Laura, visiting in 2017 for her wedding prep granted that her kids could stay in the room to get changed, but that the parents should confine themselves to sitting outside the hotel bar terrace and sipping lemondae in the sun.
Although it first opened its doors as a hotel in 1880, The Tunbridge Wells Spa Hotel was originally built in 1766 as a country mansion. Like all big Georgian houses it boasts many intriguing and charming nooks and crannies in its maze of stairwells and corridors.
I was spoiled for choice for places to hang Laura's dress, although of course these labyrinthine Georgian buildings are also quite narrow, which was a challenge. Laura's beautifully understated and stylish dress was by Alfred Angelo bought from http://www.abcweddingdresses.co.uk/
Meanwhile, back with the girls for a moment, someone didn't take too kindly to having their hair done.
While some of the older guests merely looked on impassively.
There were a few tears of happiness when the dress went on, partly because Laura is just a big sentimental softy and partly because she looked so lovely.
and just as lovely were all her bridesmaids
Now here's an irony. How often is a bride late for her own wedding with the registrar fretting and wondering where she is? Not so often are the tables turned, with the bride wondering - where the hell's my registrar?!
The lads, meanwhile were still, characteristically, completely unflustered
The ceremony was held at the Mansion House registry office in Tunbridge Wells, a nice light and spacious venue, with plenty of room for the cheekiest of boys to muck around. (that goes for Matt and Vince too)
Like a trooper Laura managed not to cry as Dad led her up the aisle.
And then caved in when she got there.
Caption for this face please?
Awww...
While the registry office is lovely, there's no access to any grounds as such, so I took the wedding party off for an expedition to Calverley Grounds, just behind. While it would have been a long, long walk to the best part of the gardens, we still managed to find some trees and some shade for our group formal shots.
For future reference - must tell groom not to keep his eyes closed during the confetti shot...
And then it was off to the Grub and Liquor for the reception.
And despite the chaotic day, we still grabbed ten minutes to nip out in the last of the evening light to grab some romantic, fun portraits shots around The Pantiles.
With the help of awesome wedding DJ David Cardoso and some subdued lighting, we got the party started.
And still these two couldn't stop with the kissing. So much love!
not sure what's going on here, but mad stuff does happen at parties, right?
Although one very sensible young lady is watching serenely and sensibly from the sidelines
Congratulations Matt and Laura and love to the family x
A classic spring wedding, with classic spring weather. Well it didn't tip it down. In fact we were pretty lucky all things considered, for March, though one or two shots may speak a little of lowering gothic clouds. All in all though, this was one fun, easy, and definitely romantic day for two Hampshire childhood sweethearts.
While Julie – as resident princess for the day got the bridal suite at the big house for her preparations, Guy and Best man James spent the night in a Premier Inn in Farnham. Though, speaking as someone who virtually lives in Premier Inn, you can do a lot worse.
Time was obviously a big motif for Guy, though I don’t think there was ever any chance it would be him and super-organised James who would be the late ones, after all, that’s the bride’s perogative, right?
There’s nothing like a bit of bromance on the morning of the big day, and if Guy was feeling nervous, he didn’t show it too much. He was feeling nervous, by the way.
I love the natural easy friendship you can see in these guys’ body language. You can tell they’ve known each other for years and have that trust and bond that only true friends have.
Going for the simple classic contrast of blue and yellow gave Guy a blaze of colour, while still keeping things restrained.
and then it was time to go....
Did I mention gothic lowering storm clouds? Set within 120 acres of stunning countryside, the privately-owned Grade II listed, eighteenth-century manor house of Northbrook Park features a beautiful Orangery and Vine Room, along with tranquil walled gardens and picturesque countryside. Located near Farnham on the Hampshire/Surrey borders, couples can enjoy beautiful countryside within easy reach of London. Fountains, walled gardens and peacocks, symbolising good fortune, that roam freely throughout the estate with casual disregard for photographers and newly-weds alike.
Ahead of the bride's car, one young guest shows off the latest in pre-school transport.
The ceremony room is light and spacious, a perfect simple bright canvas to impress your own design and can easily accommodate all but the most massive of wedding ceremonies.
In measured tones of purple and pink, the bridesmaids offered a sophisticated and subtle contrast to the blues and greys of the groom and groomsmen.
While Julie was, of course, resplendent in white.
Remember that thing about the gothic sky? As a photographer, you can choose to make a feature of it...
Or you can offer up something brighter and more cheerful. While I like to sometimes over cook a dramatic sky, I always make sure my couples have plenty of choice, and let them opt for what they like best.
Although there are times and moments when black and white just begs to be the edit of choice. These few moments below I could see in monochrome long before I got to the edit. They would still work in colour, but there is something in the tones that begs for a simpler, more contrasty look.
Remember the peacocks? Not only do they roam freely with scant regard, etc. But they are not entirely co operative, often refusing to take direction, like the spoiled divas we always suspected they would be. The only shot we got where the sun was truly giving a nice backlight, for example, this resplendent lady in white was showing us her feathered bottom. Still, we grabbed this shot, and Julie and Guy helpfully held their kiss for the photographer.
The function room is the old swimming pool - sadly now concreted over. One can image heady days when party-goers, in the style of It's a Wonderful Life, might have danced the Charlston before throwing themselves fully clothed in the water. This particular day's events were a little more measured, but still there was plenty of fun and laughter.
Although I did wonder if the band were just a little bit on the young side.
After some lovely speeches it was time for sparklers, cake-cutting and first dance
.... and a few extra couple portrait shots.
Congratulations Julie and Guy and all the very best for your future together
There is something special about winter weddings; the crisp, cold air; the low, brilliant sun; the early sunset and the cosiness of friends and family all brought together to celebrate that special day in the warmth of a terrific venue. Well Elliot and Charlie's big day was all this and more, from the perfect colour-coordination of tasteful reds and greys, the adorable gang of friends and family, to the serendipitous winter sunshine and Southdowns Manor, one of the most generous and perfect of wedding venues.
Ah Petersfield. Is it Hampshire or is it Sussex? Is it New Forest or South Downs? Actually bordering Surrey, Sussex and Hampshire, the Manor is perfectly situated to accommodate couples from all about and, while it nestles peacefully in secluded and beautiful countryside down a two-mile-long country lane, it is really easy to get to.
The venue had given Charlie and Elliot free run of the place, which included the honeymoon suite, perfect for pampering, prepping and some nifty portrait and prep shots.
While the girls made the most of their time getting ready, the chaps respected the man-tradition of being suited and booted in the minimum possible amount of time. Which gave us a nice little window for some fun man-portraits.
Brilliant! Come on, let's do a fight shot! Ooops!! that went well!
Having scored our men's portrait shots from the list, Elliot and the boys went off to meet and greet guests. Meanwhile, back in the honeymoon suite, Charlie, stunning in white, was applying the finishing touches.
Southdowns Manor offer three different rooms licenced for civil weddings, which was handy as Elliot and Charlie had actually booked two seperate services!
I shall lead the expedition. We head North, I tell you, North!
Elliot succeeding in looking not in the least bit groom-apprehensive.
And here, below, it looks like we have the world's youngest, littlest wedding planner calling the shots
Oh... she's the flower girl! So cute!
Charlie is a singer, but of course you can't really sing during your own wedding blessing service, so the honour fell to Lara and Dean who gave a fantastic performance of John Legend's "All of Me".
I call this wedding gymnastics. Whaddya think? Not at all distracting for anyone, right?
I love every aspect of shooting weddings, whether it be the carefully-planned portraiture, the from-the-hip immediacy of the ceremony, or the quick-reflex, intuitive style-adopting needed to make the best of available light for group shots and first dance. But perhaps my favourite part is capturing candid moments during reception and speeches.
So much orange juice, and still not a decent-looking man in sight :(
Look at him down there on his knees, damn photographer won't go away. Try not to look self-conscious lol.
Me, I don't see what all the fuss is about. Much more interesting things going on over here on my i-pad.
What do you think, is this my best side?
Or this?
Some couples are so great, you have to marry them twice! Having completed the wonderful, moving blessing ceremony, Charlie and Elliot moved onto the conservatory for the full legal wedding service.
You know how it goes, you drink champagne on an empty stomach, the wedding breakfast is still some way off, so you tuck into the .. er.. confetti?
Any decent wedding photographer will used development presets to give their pictures the best overall look. A very popular look is the LXC grade you can see on the group shot below. No one look is of course to everyone's taste, so - lucky Elliot and Charlie - I also edited the group portraits with a more 'standard', colourful and bright look.
What do we think? Which look is better? As the world's most super-generous photographer, I've actually supplied you with both :)
That low winter sun we were talking about.
And winter sunsets can be something else again! I was tempted to ask Charlie and Elliot if they wanted to nip out in the middle of their meal to grab a couple of dramatic, romantic portraits, but they looked so cosy and happy, and it was so cold. And we had other portrait plans for later anyway...
And in any case, soon enough, Dad kicked off the speeches...
....which were generous, touching, warm, funny...
... included something about tiny shoes...
... and some prompt-cards which were surplus to requirements.
A lot of photographers have an aversion to Pinterest boards and being given lists of shots the couple would like. As a commercials guy, I'm accustomed to the idea of working to a brief, so I love working with a couple to achieve the shots they really want. The night portraits below were someting we agreed on beforehand, and I really love them.
And sparklers! We all love sparklers! Traditionally, the width of a church aisle is the length of two swords, dating back to the days when warring clans would intermarry. In modern times, the sparkler arch is the width of a photographer carrying carrying two cameras and a cigarette lighter. How times change.
And cake! We all like cake, right?
And dancing. Nobody doesn't like dancing.
Blue Steel! Do blue steel!
So much love, so much warmth, so much laughter. What a brilliant, funny, wonderful day! Congatulations Elliot and Charlie, and all my best wishes for a wonderful life together!
Now Charlotte is the kind of girl who you might describe as a bit of a Diva. Though only, I hasten to add in a good way! We first met on her engagement shoot and hit it off from the first. I had just shot a marryoke for a lovely couple which Charlotte thought was fabulous - Charlotte being an absolute Karaoke Queen - and so it was we got chatting ten to the dozen, forgot that was what we had initially got nattering about and I didn't really give that fact a second thought until the day of the wedding. Which was when things got a little unpredictable. Again, in a GOOD way. Read on to find out how one young couple's wedding was full of enough surprises to make even a seasoned wedding photographer stay past the cut-off time!
First up, a little slice of Greenwich history. Many of you will know Greenwich and will have walked past St Alfege's church, no doubt on your way to get pie and mash rather than to say you prayers, but I'll try not to judge. An amazing choice of church for a wedding, St Alfege is full of history and character, having stood witness to Viking pillagers, the baptism of Henry VII and the German bombs during the Blitz that destroyed half its roof. Its current grade 1 listed building status is thanks to the impeccable design of Nicholas Hawksmoor, but there has been a church on this site since The Archbishop of Canterbury's martyrdom in 1012, over a thousand years ago. And no, I don't remember it well, whoever said that at the back of the classroom.
Today, just round the corner from this historic church, stands a place of even greater history... the salon that would do Charlotte's hair on the day of her wedding.
Now I've told you a little already about Charlotte, adorable, star-of-the-show Charlotte. Shall we first meet Shaun, the groom. No? Can't see him? Ah well, Shaun is the kind of guy, who.... let's just say he's modest. And time, geography and budget were against us having a second shooter. So as he was getting ready over in Canary Wharf whipping on his tie so quickly we might have blinked and not shot it, you'll have to enjoy instead Charlotte's prep for a little while before you get a glimpse of Shaun. In his place, a shot of the Greenwich Clipper, the awesome hairdressers where Charlotte got herself pampered and prepped the morning of her big day.
Below, inside the clipper, to Charlotte's left, Mother of the Bride Beverley tries not to look too nervous as her little girl gets ready for the big day. To her right, in the background, the two guys are, I think, debating the complexities of existential philosophy in a post-modern era of Foucaultian uncertainties. But it might have been shampoo, I forget.
Though on reflection - see what I did there - Charlotte herself doesn't appear to be too troubled by nerves.
The young man joining the proceedings, by the way, is brother Alex. You're going to get a little surprise from this young guy later. Just thought I'd prepare you.
Again, Charlotte was reflecting on the big day ahead... oh you know, I'm sorry. There are a couple more mirror shots later in this series, I'll try and leave the Dad jokes in my camera bag from now on, okay?
Having finished up at the Clipper, we walked round to Devonport House next to the Naval College, where yet more history was being made. Yes, the most gorgeous women ever to have worn purple on maritime soil had assembled to put on their bridesmaid dresses and makeup
bites hand to stop himself making any more reflection jokes...
While along the corridor, Charlotte and Beverley were applying the finishing touches .
I had thought the shot below was such a smart idea, it not occurring to me in the morning's rush that, like.. duh, brides don't wear hats! In fact, of course, the Jacques Vert was for Mum, with Charlotte's dress being Galina Signature.
Insert reflection joke here....? No, I'm not gonna do it. You know who the dress is by, you know where the hair was done, you know how gorgeous Charlotte looks in the soft light from the windows looking out onto the garden, it's time for the Rolls Royce, isnt it...
A classic Rolls Royce Silver Cloud, and look how proud and doting Dad is as he holds the door open for his beautiful little girl. Oh God, I'm getting mawkish, I'm getting a tear in my eye, time to zip off and meet Shaun. We've waited long enough now...
Here he is!! Looking a bit apprehensive. Or is that just expectant? He's a pretty cool customer is young Shaun, so you wouldn't expect him to be too nervous really.
Even with this gorgeous, lily-clutching lady walking down the aisle in white.
And before you say it, no Shaun and Charlotte are not in a family of giants; petite this lovely lady vicar may be but she is large in personality, generosity and charm.
I love how black and white can enhance areas of light and shadow, creating contrasty tones and artistic textures. I call this shot "view of the stalker'.
And here the stalker gets a bit of tasteful foreground blur for the blessing.
While here below, we say a big thank you to the god of wide angle lenses for helping with the most awkward angle ever invented for the signing of the register.
Huge white lilies for a bouquet, and smiles that could light up the darkest of churches.
Oh, and did we mention Rolls Royce Silver Cloud?
Is any London wedding complete without a classic red Routemaster bus? Such a lovely, thoughtful thing to do, to put on a routemaster for the guests.
And macaroons. There were macaroons for everyone. One of Charlotte's favourite things. Along with Karaoke, purple and polkadots. Much more about which, later.
We arrived at Charlton House and, oh. Look at that sky. This is meant to be a summer wedding. What's going on?
Perhaps if we do the ancient weather ritual of "pretend you're Kate Winslett in Titanic" maybe the clouds will break and the sun will show.
Hmm... no, still looking overcast and gothic. Let's just silently pray and do some more portrait stuff...
Snogging! That'll do it. That'll bring the sun out! We'll do some kissing shots with the Roller - guaranteed to push the clouds away.
Now, can we try and take the group portraits seriously. Please? Can we?
No? Okay, let's have a bit of a laugh and maybe flash some ankle. Did I mention purple? Charlotte's favourite colour. Purple. How you were going to see a lot more of it?
Built in 1607, Charlton House is a wonderful example of Jacobean architecture, with a wonderful library gallery upstairs and plenty of walnut wood-pannelling downstairs.
Oh oh, the stalker's still prowling around up there with the books, raise a glass and let the poor lonely camera dude come down and join us.
Notice the purple and polka dots? I did tell you.
And so the speeches began and I decided to make use of the purple fairy lights to create what we call bokeh, lovely blurred circles of light that can add a cinematic texture to pictures.
And then the tears started coming, as they do sometimes in speeches.
Oh how they cried....
....and cried...
... and smiled...
... and laughed....
...and, yes, cried some more.
When it came time to toss the bouquet, that marvellous tradition where the catcher will be the next to get married, tradition was once more respected when the catcher - lying prone here on the ground - was... a boy!
Oh, clouding over. Shall we do some more kissing see if we can get the sun back out?
I took Charlotte and Shaun for a walk in the Peace Gardens for their informal portrait session. A serene and tranquil environment of simple and subtle colours and textures, the garden was opened in 2006 to mark Amnesty's Stop Violence Against Women campaign, and is the perfect oasis for a newlywed couple to stop, take a breather and collect themselves.
And then it was back to the reception for cake, baked by Shaun's sister Hanna and then the fun and games began...
...and surprises. Most couples opt for a simple slow waltz for their first dance. Something low-key and sedate. Not these two. Without a word of warning to anyone, including me, they launched into an extended, choreographed routine that started with The Contours' Do You Love Me and The Human League's Don't You Want Me Baby
....through to Disney's Sleeping Beauty Once Upon A Dream and The Pokémon Theme tune..
...to Breaking Free from, yes, from High School Musical and The Magnetic Fields'Nothing Matters When We're Dancing.
Oh and Coolio's I'll See You When.
The next surprise was when Charlotte stepped up to the microphone to kick off the Karaoke. Now, I had some idea that Karaoke was happening, but what I hadn’t reckoned with was the sheer glorious power and talent in the voice of the Diva with the mostest.
As Charlotte delivered her incredible, note-perfect version of the classic love song I will Always Love you, she truly out-Whitneyed Whitney Houston
Followed by Shaun's brothers' version of He Ain't Heavy. By which time there wasn't a dry eye in the house.
As if this wasn't surprise enough, Charlotte's brother Alex gave an impromptu ballet performance.
I am tempted to say that Alex swooped through the air like a gazelle, reminding me of the classic description of Fred Astaire “cutting an elegant swathe across the room like an exquisite paperknife”. But that would be pretentious of me, so I won't.
Enough to say that it was amazing to watch this talented young man, now a star lawyer in the making, flying through the air.
As the evening party continued, this young lady's face, I think said it all.
And there was just time for us to grab one last romantic shot, I think my favourite of this wonderful, loving, hilarious, generous special day. Congratulations Charlotte and Shaun and all my sincerest wishes for your wonderful new life together!
I first met Craig and Sammy in a crowded bar in Paddington Basin in London after a day's work, and it was one of those wonderful encounters where you know pretty much from the outset that this will be a great wedding, that the couple are truly, madly, deeply in love, that you will hit it off immediately with them, and that it will be a big day of laughs.
Having shot their engagement in Virginia Water, and having already during that shoot, popped in at the Royal Berkshire Hotel in Sunninghill, I was familiar with the grounds and with the venue. What I hadn't expected was the incredible blaze of autumn colour that awaited us.
Originally built for the family of Winston Churchill, this lavish country hotel is housed in an 18th-century mansion just a stone's throw from Ascot Racecourse. And as you can see, you can also play a game of draughts with any nearby giants that happen to be wandering the Surrey countryside.
The rooms are large, generous and comfortable, and Sammy's suite had plenty of room for all the bridesmaids to relax and prep.
and that, of course, included Mum!
and the dress, of course...
Now it may surprise some of you to hear this, but girls take a little bit longer than guys to get ready. On this Saturday, I rocked up, bright and breezy at 10 am to find Sammy and her girl crew already in curlers and prepping. Four hours later, at 2pm, when the ceremony was due to start, they were still adding the final touches. The boys on the other hand...
The boys took a record fifteen minutes. No word of exaggeration. I've never in my life seen a swifter transformation from jeans and trainers to mourning suit and cravat.
Shooting a wedding is always an adrenaline buzz, there is always chaos and rush. But, boys, seriously, fifteen minutes?
and that goes for you dads too!
I guess there was a bit of a rush to get to the bar, so much of a rush that one or two of the chaps appear to still be empty-handed...
And then that moment when Dad goes in to make sure his daughter is okay, and it's a kind of a farewell moment, and always so touching
While the boys, well, they don't seem too worried do they?
Nah, nope, nothing to worry about...
and everything to be thankful for, with such a beautiful bride-to-be walking down the aisle
and these next two moments I love so much. There is nothing but love, youth and enthusiasm in Sammy and Craig's faces. So much hope and excitement for the future they will share together.
Despite the November cold, Sammy and Craig were game to do a little walkaround and grab a few shots. The window for couples portraits is always a nice opportunity too for a newly-married couple to gather themselves together and get away from the bustle - kind of like quiet time, except I'm there, and I'm not that quiet.
Just look at those autumn colours! And with the last rays of the sun, the light has that golden glow to it
A quick walk around the fountain and, even with Craig lending Sammy his jacket, frostbite looked to be close at hand, so we grabbed just a last few snatched portrait shots and headed indoors
For the speeches
and, inevitably, the tears...
...looks like Craig's Dad was working hard to keep those tears back as well
and last but not least, to round off the evening, what else, on November the 5th, but sparklers and fireworks.
Congratulations Sammy and Craig and wishing you both a wonderful, happy, long life together!
Or how I survived flu, helicopters, a disgruntled Batman, English rain and the Predator to shoot one of the most epic weddings of 2016.
"There's going to be movie character special guests, and we've hired a marquee, the wedding will take place under a draped parachute, and we're both flying in in helicopters."
Well - to say I was excited about this wedding is an understatement to say the least. When a costume and set designer marries a helicopter pilot, you know you're in for one amazing day. Sure, we had rain and mud, and sure there was the occasional hitch, what with this incredible duo having created and organised the whole thing themselves. But Charley and Lee pulled it off, running the whole thing in a marquee and field in Hockley in Essex, and they did it with incredible spirit and style. Read on to see just what a crazy adventure the day was.
The day started with a couple of fairy bridesmaids, doing their hair, as fairy bridesmaids do.
Despite Charley's house being only a literal stone's throw from Southend Airport in Essex, her bridesmaid's Atlanta and Mimi had no idea of the aerial surprise awaiting them.
As a costume designer and art director, Charley;s yard was littered with the beginnings and endings of semi-human projects. But I, her supposedly clued-up photographer, still didn't really have a handle on the proceedings that were to take place.
For Charley, prep was not something she really wanted shot, but was very keen for us to capture the moment when her Dad saw her in her amazing Gainsborough dress and purple hair. Comprising a design of ruched pink with silver bows, and designed by Ian Stuart, Charley's fabulous dress was a real crowdstopper
And so, in blustering wind and rain, we made our way to the secret location, where the first surprise awaited Dad and the bridesmaids
October may not bring the best weather for helicopters, but this Autumn Wedding had been a year in the planning and our intrepid couple were not about to let a little thing like rain stop play.
I just love the look on Mimi's face here! I'm pretty sure we all pull that face when we're in for an unexpected helicopter ride. In her hand you can see she's holding a go pro. As there wasn't room for me in the helicopter, with Dad getting the ultimate treat of riding shotgun next to the pilot, I loaned Mimi my Go pro and Atlanta my little Fuji x100T.
Dad's looking pretty thrilled too, right? If a little apprehensive.
And if you have never felt the rush of taking off in a helicopter, take if from me, the next best thing is the rush of being right underneath it as the rotor blades chop the air and send wild gusts of wind barrelling over you.
So glad I had spare cameras to lend the girls so that we could still get footage for both the album and the film we were also shooting. We'll all have to imagine for now the thrill of flying over Southend Pier, but watch this space and the film should be posted up in a few weeks' time.
Meanwhile, my crew and I were rushing across essex to try and beat the helicopters, knowing they wouldn't be up in the air all that long. Sometimes being a wedding photographer is like being a paparazzi, all car chases and last-minute, snatched shots. When we arrived at the venue, the surprise guest movie characters had also just got there.
War Machine - from the Hollywood movie Iron man - looking suitably unimpressed by the English Weather. You can almost imagine him thinking "It's not like this in Los Angeles". Nonetheless, despite the rain, it was a warm day, which gave rise to the best quote of the day, when I was setting up the styled portraits and asked "Where's War Machine?" only to get the answer; "He's feeling a bit hot and tired so he's gone for a lie-down". Not what you expect from War Machine now is it? Lol.
Safely landed, with classic chivalry, Charley's debonair helicopter pilot helps her down.
and the girls, wings adjusted now they are on dry land, get our glamourous bride ready for her walk to the aisle across the fields.
And how beautiful does Charley look as her Dad walks her down the aisle, beneath a canopy of real parachute silk.
To be married by Gandalf, no less. Well this was a fantasy movie-themed wedding, so honestly, who else?
Led by Gandalf, Charley and Lee made their way across the mud to the marquee to sign the register...
While Pyramid Head from Silent Hill and Indiana Jones, ominously, quietly watch over proceedings. What could possibly go wrong? Gulp.
Then it was back to the parachute awning for the final vows.
To rapturous applause and smiles all round. Which is what weddings should be about.
.... unless you're Batman. Batman didn't look too happy. Predator looked happy enough, but Batman looks like he's been waiting too long for his glass of Prosecco.
Happily, Catwoman seemed to be having a pretty Grrrr....eat day!
and fresh from his recuperative lie-down, War Machine came to join the proceedings. I mean, you can't have family group photos without War Machine, right?
So our 'Everybody' group shot included those extra special surprise guests.
One of the big challenges to this wedding, was trying to combine the movie and fantasy style elements with the more traditional. As you can see below, and with some other staged photos, I have deliberately gone for a very stylised look, desaturated and high contrast, to capture a bit of the Marvel Comic poster look.
And then, boom, a dramatic turnaround in style, with warm flattering colours, and soft high-exposure skin tones for the straightforward group shots.
It helped a little that the sun came out, though of course, as you'll know, we photographers become like vampires in the bright midday sun and tend to run for cover to get that lovely glowing skin tone in our group portraits.
Loving all the purple. You can see how Charley being such a talented art director paid off on the day.
And then things got a little strange, with Predator deciding to strangle the groom. Lucky we had our very own rock and roll bride to come to the rescue.
For a moment it looked like he was going to chicken out and run away, stealing the helicopter
But we still needed it for some nice couple shots, so Kick-ass bride Charley saw him off.
and once more, the contrast from the day came through, from this lovely, romantic sunny walk from the helicopter... to a Comic Con, Marvel portrait set up with Charley and Lee's special guests.
Here's a still frame from the film which we were shooting at the same time - my videographer very kindly displaying my bald patch to the world, and also how I skimp on assistants and press-gang groomsmen into holding flash guns for me
Having been together four years, Charley and Lee clearly are relaxed together and were on totally the same page when it came to their photographs, easily posing with their Comic Con pals Batman, Catwoman and War Machine. Me, I still can't decide whether I prefer the colour or the black and white. What do you think?
And then it was onto the reception, watched over by a host of characters, not least, Charley's fantastic Alien.
and Spiderman...
and Star Wars Storm Troopers...
... and the Terminator and....
....and...and... oh my God!! Is that Arnie Schwartzenegger?! No, okay, it isn't, but a hell of a good replica Terminator, no?
And then, just as the meal was getting underway, and it looked like we could all take a little breather, along comes that rare miracle of nature, a DOUBLE RAINBOW!
Well if you care even a jot about the pictures you take, then you can't possibly let that go. So even though I was dying on my feet from flu and in need of a rest and some paracetamol and wedding barbecue food, I grabbed my awesome couple, who were totally game, and we made it outside in the light returning rain, to get this shot. It may be an imperfect shot, but that isnt the point is it. A lot of photographers would have passed on this moment in order to grab a bite and take a well-earned rest. But some of us, the hardcore ones, we go the extra mile. And I'm so so glad we did.
Post wedding breakfast and onto the speeches. And pretty soon there was that classic moment when the father of the bride delivers his speech, and the bride reaches for the nearest handy machine pistol and puts it to her head... because we all keep a few guns on the table at a wedding, right?
What I loved so much about this wedding was that it was totally bonkers and yet at the same time, was completely organised and made total sense.... also, thankful the guns were not loaded...
and to top it all, it was someone's birthday!
For most couples, when it comes to cutting the cake, they reach for the lovely silver cake knife left out for them.
Occasionally, some couples it seems, prefer something a little less delicate. Like - oh I dunno - like say a HUGE TERMINATOR-STYLE MACHINE GUN!?!
... or a Star Wars Light Sabre perhaps? Hard to know which would work best, given you have an Empire Strikes Back/Star Wars cake and a Jaws movie cake...
At weddings of course, a lot of people bring their kids, and Alien was no exception. He managed to mingle quite well really, making a whole bunch of new friends without, for once killing anyone.
And so to the first dance, and, naturally, it was out with the light sabres, like you do.
Although it didn't take long for love and romance to win the day over battling it out to save the Universe
As the party progressed, Superman kept a watchful eye over the guests...
Though it didn't stop one lady from stealing the limelight as she danced with an inflatable stormtrooper.... like you do....
But with all the craziness, and all the hard work, and all the amazing art direction, still the abiding memory for everyone from Lee and Charley's wedding will be the simple, warm feeling of togetherness, the abundance of love, and most of all, the sheer romanticism of the day.
Congratulations Lee and Charley and wishing you both a fantastic (literally) future together x
PS, if that has left you hungry to see more, here's the film we shot that day too - complete with bridesmaid go pro footage, some awesome first dance music and, in case we hadnt mentioned it too much before, some Helicopter action!
I first met Neil and Emma in the early spring of March 2016 for their engagement shoot at Pooh Corner in Sussex. A relaxed, loving, and very together couple, it very quickly became clear that they had what all successful couples have, very real shared interests. In their case, this included a love of Rock and Roll, a love of the countryside, and a love of aeroplanes and cars. So what better venue could there be than Goodwood, just a little down the road in Sussex, home of the aerodrome, the race track and the beautiful sprawling Chichester countryside and grounds of Goodwood House.
The Goodwood Hotel , set in the heart of the glorious 12 000 acre Goodwood estate is the perfect mix of high class modern comfort and style and classic rural English charm.
And what became very quickly apparent on arrival was that Emma and Neil had two other traits in common. Firstly, exceedingly good taste...
... and secondly a love of the colour blue.
There was blue...
More blue...
....and a bit more blue on top of that!
Joking aside, what Emma and Neil had created was a brilliant, styled rock and roll event, which didn't even for a minute go over the top. I confess my jaw dropped a little at how impeccably they had paid attention to detail and good taste, whilst still incorporating the rock and roll into each corner of the venue and the day.
But it wasn't ALL rock n roll....
This was after all, a wedding, first and foremost, and a chance for the beautiful bride to be made even more beautiful.
Meanwhile, down the other end of the hotel, the blue theme was being continued as Neil the groom and his best man got themselves ready.
With a little help from Mum.
Meanwhile, back at the bridal suite, excitement was mounting as Emma's family and entourage came to gee her on.
Because time waits for no bride... well it does a little bit, but you know what I mean...
With literally a couple of minutes to spare, we grabbed a moment to snatch a couple of hasty portraits. Much as it may sound like the last thing you want to do when the clock is ticking, a moment to look out of the window and gather your thoughts, your breath, your earings, is something every bride needs.
That, and a sixpence in the shoe...
... and the last minute check that everything is perfect
and relax, ladies, relax. Breathe in. You're all beautiful. It's going to be wonderful.
Meanwhile, not so relaxed, Neil was waiting dutifully, expectantly for his gorgeous lady to appear
...preceded by the most adorable flower girl sprinkling a trail of blue petals. We mentioned the blue theme, right?
and then the bride was there, on time, resplendent in white, escorted by dapper Dad
There's nothing quite like seeing the excitement and joy when a groom slips the ring on his bride's finger
... and the slightly phased reaction of most grooms when the favour is reciprocated!
Joking aside, I can remember the butterflies of my own wedding, and it always gives me so much pleasure to capture these unique moments
After the confetti line, Neil and Emma were super keen to zip away to Goodwood Aerodrome, just a mile or so down the road. Big fans of planes and cars, they got permission for us to grab a few quick shots out by these fantastic planes out on the airstrip.
Caption: "I told you it would have been easier to book a car"
Formerly a wartime RAF airfield, Goodwood Aerodrome has grown from a tiny satelite airfield to a flying school and centre for flying excellence. The fantastic choice of buildings and planes left us a bit breathless given we only had a few minutes to grab some fun shots.
We got as far as the motor circuit and race track, but as grey clouds loomed and the clock ticked ever closer to party time, we reluctantly turned back to the venue.
All too soon it was time for us to whizz back to the hotel for the Wedding Breakfast and speeches
although some of the younger guests had already peaked early
others were just getting into their stride
All the frivolity was put aside for a few moments, as Neil and Emma wanted very much to do a balloon launch tribute to a dear departed family member.
It was an emotional moment for everyone, with tears and hugs. But the couple, family and friends were so supportive of one another, that the mood of togetherness and celebration soon returned.
So much so that in amongst the formal group shots, there was space for a little bit of horseplay
"Do Dean Martin"
"Who?"
The superb wooded private driveway of Goodwood Estate was the perfect setting for a romantic walk. I love how the wind catches Emma's veil...
And I love how the trees so perfectly frame this young couple's tender moment.
...not to say it was all soppy kisses and tender moments... this was after all a rock and roll wedding as well
with room, sure for some cute stuff
... and some more kissing as the guitar amp cake was cut with a sword
but as the first dance got underway
it was clear that rock and roll
was here to stay
and things got a little wild on the dancefloor
as the band rocked out
taking the mood up a few notches, along with the volume
oh, and pants. Did we mention pants?
All in all, a glorious, fabulous, splendid rock and roll wedding occasion. Congratulations and love to Emma and Neil.
So this was our greatest wow! moment, but to be honest there were more than a few moments that took the breath away throughout the day.
Katie and Anthony were childhood sweethearts. They grew up together and went through school together. Like many childhood sweethearts they drifted apart a little, but when it came to taking that huge step of sharing a future together, they knew they were made for each other.
Despite both living and working in Paris, what Katie and Anthony wanted more than anything was to connect with family and true friends. And with this in mind, they held their wedding in the village they had both grown up in, Pavenham in Bedfordshire.
And so it was I found myself whizzing between two very different family homes. The bookish chaos of Anthony's family home, and the orderly modernism of Katie's Mum and Dad's house.
Katie had chosen a modest white dress, striking in it's beautiful symmetry and simplicity, complementing her figure with a flowing lightness that still flattered.
and while Katie's house spoke of restraint and tidiness, you could see the chaos and hilarity of pre-wedding preparations would soon turn the place into a classic picture of clutter and anticipation. Which is as it should be.
Meanwhile, back at the boys' house....
Anthony, his brother, and his best friends were getting their glad rags on...
...with the occasional spillage of course...
and the more than occasional glass of champagne
I love how black and white can isolate a moment, and freeze it in a kind of pool of dark serenity in a way that colour so rarely can. Something about the simplicity and starkness of monochrome brings a calm intimacy that to me is the real beauty of wedding prep. I've never shot a wedding without shooting the preparations, and to be honest I hope I that remains always the case. The unguarded and candid moments speak of the simple and honest emotions behind the big day. The friendship and family ties, the love and support.
...and the happiness, excitement and joy...
...and of course, the champagne.
...after which, things got a little bit out of hand...
St Peter's is one of three churches in the Benefice of Milton Ernest, Pavenham and Thurleigh. Built in the 12th or 13th century and Grade 1 listed, it is the only church in Pavenham and is positioned in a high location overlooking the village.
But more to the point, everyone was getting the traditional pre-wedding butterflies...
Whether it was the excitement of friends and family
Or the nervous anticipation of the groom
and certain flower girls
and, of course, our beautiful bride Katie.
Katie and Anthony had specifically asked if they could have all the photos in colour, and all in black and white. A fairly unusual request, as normally, as a photographer, you tend to judge a picture in advance, like the these two above, in the moment, as being ones that will work best in monochrome. Yet it was interesting to see how many shots worked so well in black and white AND in colour, like the moment below when Anthony slips the wedding ring onto his bride's finger.
And here is Katie, returning the courtesy so to speak. In colour.
There are moments, such as the first kiss, that, even if you are compromised in the moment as to where and how you can get the shot, still you MUST get the shot. And the shedding of a tear when your friend sings the most beautiful pastorale in honour of the bride is another unmissable moment.
Of course, the confetti walk is another crucial, unmissable shot. Good fortune and knowing where best to place the couple for the light meant that I was able to offer over a dozen different shots!! Look what a beautiful glow there is to the light on their faces, a wonderful combination of the position of the sun, the reflection of it off the church and the ground, and the cool shade of the big fir trees that surround the front of St Peter's.
And so, while the guests were accompanied on their walk to the nearby reception venue tipi by nothing less than a marching brass band, comprised of old school friends...
Katie and Anthony and I got down to some serious portrait work.
Well, I say serious, it was smiles all the way, and we probably only took 15 to 20 minutes, as is so often the case at a wedding, where there is so much to do and adrenaline is still running so high.
... and on a day like this and with a couple so happy, beautiful and full of love, you could hardly really call it work either...
and so to the venue, a tipi in a field, styled with simple rustic charm
The key to delivering great wedding photos is to be adaptable and quick on your feet. Katie and Anthony had asked me to shoot some sunset portraits - as if I would need to be asked!!. So after the first course of several, in a wedding breakfast that stretched over several hours, it became clear that we would miss the sunset unless we sneaked out between courses. So while the guests were amusing themselves, talking, eating, drinking....
... and in some cases, getting ready for take-off....
We snuck into the neighbouring cornfield for some of the most sun-kissed, sun-blessed romantic imagery I have ever shot.
And this was another of those Wow! moments. Katie had seen this shot and asked could we try it. It took a couple of goes, but doesn't it look like they're having fun!? Which we were. A leap for joy in the golden rays of sunset on the biggest day of your life - what's not to like?
Meanwhile, back at the tipi, guests were getting ready to tuck into that classic dish, meringue and cheese.... er... well maybe not both in the same mouthful...
And while the younger kids had a chance to run around in the breezy half-light of an English summer dusk, some of the less young kids were busy liberating the refreshments.
You know how it is, it's hot, you're thirsty, and goddamnit, you need a glass of wine, like RIGHT NOW!!
And then it was time for speeches
The first dance
Anthony's carefully rehearsed 'impromptu' romantic serenade to Katie
the cake-cutting
And then it was party time!
Sometimes you meet a young couple and there is something so generous about their spirit, and so serendipitous about the day, that everything just falls into place. I won't ever forget how Tony's simple and humble recommendation "I think there's a field just up here with quite a nice view when the sun goes down" would result in a red gold glory of poppies and the sunlight. Possibly the most dramatic and beautiful sunset of the summer of 2016 and we were right there. But enough about us, this is about them. Tony and Kate, and the story of their day.
Which started off in brisk and elegant fashion at the Sun Inn in Hitchin, a beautifully, tastefully restored 16th century coaching inn located in the heart of one of Hertfordshire's many charming market towns.
While you can arrange to have your whole wedding ceremony and reception at The Sun, Tony had opted for reception only. And a little groom prep.
One of my favourite ring shots ever, achieved in a couple of minutes with the help of some optics behind, and a purple shot glass to balance the bands on. Look close enough and you can make out a ring-reflection selfie.
But enough about me, meet the boys.
Tony and his best man, looking suave, dapper and handsome, as they tog up for the big day ahead
with of course, the help of a stiff drink, a good pair of cufflinks...
...and...er... a couple of goes on the roundabout in the market square!
Meanwhile, down the road at Kate's house, the mood was surprisingly calm and serene
with ample time for me to capture some of the lovely bridal details
Dad's garden had been carefully and lovingly tended, with a bit of extra attention, knowing that we might well have time to grab a few shots out there.
Beautiful Kate, elegant and modest as a true English Rose, was the perfect model, allowing me to experiment a little with the light and grab these portraits, which, because we had that little extra bit of time, I could make look a little like paintings.
It's a curious irony of wedding photography that often has to be explained - most weddings are summer weddings when the sun is bright and high, and yet us photographers take to the shade. These shots show why a little. See how the light reflects back onto the girls, so that even though they are shaded, their skin seems to have this lovely glow.
A nervous moment for Tony when a car identical to the one driven by his father-in-law-to-be turned up twenty minutes early. When he'd finally recovered from a close encounter with a near heart attack, it turned out of course to be the bridesmaids arriving just on time.
St Mary's Church in Hitchin is the largest parish church in Hertfordshire and is remarkably large for a town of the size of Hitchin. This has been cited as evidence of how Hitchin prospered from the wool trade. The present church stands on the site of two previous churches and dates from the 14th and 15th centuries, with its tower dating from around 1190. As well as being generously proportioned and impeccably restored, it is also wonderfully light inside. No gothic gloom here.
As Tony's expression testifies. The vicar, by way of a bonus, it should be said is a lovely, warm, generous and good humoured priest, welcoming all with a smile and a twinkle in his eye.
While every photographer will strive to capture the bride arriving...
... I think we all treasure those delicious candid moments of apprehension as the groom waits inside
Owner of the highly successful production company HitchinTV, Tony has a keen eye himself, and was eager to try all kinds of different portrait shots. I think I may have gone a little over-gothic with this one, but it was the one overcast moment of the day, so I like to think at least we were being in some way true to the day.
Back at the Sun Inn, meticulous preparations had seen the reception room beautifully decorated with restrained good taste.
While the party got started, Tony was keen to see if we could grab the sunset shot we had talked about. We jumped in his car and he showed his true Italian heritage by racing across town with all the speed and dexterity of a Formula 1 driver keen to get home for his champagne dinner. And boy was it worth the pedal to the metal.
When we arrived at the chosen location, we were greeted by this stunning field of poppies. Capturing a sunset is always a matter of luck - will cloud cover ruin it? Will there be too little cloud to make it truly dramatic.?
On this occasion we were blessed with one of the loveliest and most dramatic summer sunsets.
And as dusk quickly settled in we even had a go at a Gone With the Wind moment.
From St Paul's to Tower Bridge, to Mayfair to Chancery Lane and Soho, this is the story of two lovely Aussie guys, one same-sex wedding, and more taxi-rides than most people fit into a year!
I was delighted when Steve and Peter asked me to shoot their London wedding, not just because the locations were so cool, but also because I've known them for over a decade, having worked together in various TV broadcasting and production companies. So I knew they were great guys, and that we would have a great day out in London.
Instead of the traditional morning 'bride and groom prep' stuff, the guys preferred instead to meet up, already suited, to grab some informal and romantic shots of them chilling in some of London's most iconic spots, partly so they could send pics to the 'folks back home', both being Australian, and partly because, hey, London is a cool city, right?
Kicking off with a few fun shots around the Tate Modern and Millennium Bridge, with the classic view of St Paul's behind us, we moved on down towards London Bridge.
Soon it was time for the short Uber-ride down to Mayfair, to the public library in South Audley Street.
Where things got a little held up when Pete's Mum, who was supposed to be giving him away and walking him up the aisle, got held up, ironically by a taxi strike.
In the end, Steve had to lead Pete up the aisle, though thankfully Pete's Mum and Dad did make it in time for most of the ceremony.
As you can see, it was a small and intimate wedding, and again, Steve and Pete were keen to dispense with formal group shots, opting for just one simple, and touchingly close family gathering on the staircase.
.... and just one quick posed shot outside the library itself. Many couples who marry at Mayfair Public Library like to get some romantic shots in the park next to it. But again Pete and Steve wanted to buck convention and do something a little more interesting. And here was their plan; while family and friends would decamp to London's trendy Bounce club in Chancery Lane to play table tennis...
... Pete and Steve wanted some more romantic shots around Tower Bridge.
The boys were hoping for a romantic London sunset at Tower Bridge, and as luck would have it, mother nature chose that particular evening to dish up the most incredible glowing red sky as the sun dropped behind The Shard.
One of those rare cases where you don't need to ask the couple to gaze off into the sunset with a look of joy and wonderment on their faces...
With only a few minutes left before we had to jump in a taxi to catch up with the rest of the bridal party at Bounce, the boys granted me a couple of minutes to do a quick cool long exposure shot on Tower Bridge. I had wanted to capture a passing red London Bus, to make the shot truly iconic, but with time against us, of course, there were no buses to be seen...
We got the shot, though, and then it was back in another taxi, and back to Chancery Lane, to re-join the table tennis fun in EC4.
And then it was back in a taxi yet again for the intimate wedding reception at London's Kettner's restaurant off Old Compton Street in Soho
Though once again, some people were late... :)
You know when you meet some people and you instantly think - these are good people. That was Mark and Sian. Funny, generous, honest, down-to-earth people. Add kind, warm, funny and relaxed to that. With four kids and a successful business, they certainly have their hands full, yet clearly make time for each other. Their big day was one filled with tears, laughter, kids, craziness, and above all, a very real love for one another.
Mark and Sian's wedding was a simple yet stylish event, both the ceremony and the reception being held at The Lodge Country Inn in Battlesbridge in the heart of the Essex countryside. Sian styled the event herself, with a wonderful attention to detail and you can see further down how perfectly she themed her and Mark's love for the sea into the table and venue decorations. With classic cream-coloured vintage cars, a bride dazzling in white dress and veil, and setting a the whole thing in a marquee, the day was one of light and smiles.
A short tale of a French family, an English family, a couple with a new baby on a short hop over from Malaysia, some of the wackiest group shots I've ever taken... and a wedding cake made entirely from cheese!
When Jez and Rosie first asked me to shoot their wedding, I was thrilled not only because they were the lovelies, funniest, most laid-back young couple, but also because it was a chance to shoot at the Zetter Hotel, at Islington Town Hall, AND at the fun and funky Artisan of Clerkenwell.
The boys got the day off to a great start with that classic combo; champagne and hankie-folding.
Zetter's is a fantastic boutique hotel in the heart of trendy Clerkenwell. Having taken a few healthy drafts of bubbly, the boys were more than happy to gad about the corridors to make the most of such an unusual and eclectic location.
Rosie, meanwhile, was busy getting ready at the Holiday Inn, having opted for space and comfort over funky furniture. After all, she had the baby, and the rest of the family to think about.
... including a certain young lady who would later on be quite the spirit of the party, but for now, was a little less than enthusiastic about having her hair done !
There's something so moving about a father giving away his daughter, the pride in his eyes, his joy at her happiness, and at the same time, the sweet sadness of letting go of the most precious person to you.
From those heart-stopping last few moments of anticipation....
...to that perfect moment of recognition and love, where you know you committed to the right person!
Islington Town Hall has one of the finest marble staircases of any London town hall, offset as it is by the wonderful green panelling.
And what really makes a London wedding, is a classic London Routemaster Bus
With just a little bit of retro fun
And then it came to the group shots, and a whole different kind of unexpected fun started to happen. After mucking around on the bus - a big kid's thrill for everyone - not least the photographer who got the chance to break some of the H&S rules - we were left with limited time, in a courtyard that wasn't all that interesting or well lit. Then I had an idea and had a chat with the Maitre D at Zetter's and was pleasantly surprised to discover they were more than happy about letting us use their lovely Georgian town house to shoot group portraits. Provided we were quick. With a lightning five minute lighting set up, which took me back to some of my most dramatic commercial shoots, I was left with a whole new task. Shoot the group shots quick AND can we do something different, something less boring, something a bit wacky and off the wall? Well asking a photographer these things is like candy to a baby... You want wacky, you got it!
The less formal side of formals. Heheh. Okay, great. Now give me Charlie's Angels...
Excellent, excellent, now can we have a family punch-up? Can you all try and murder each other?
Not often you get the chance to say that at a Wedding, right? But it resulted in one of my favourite ever group shots, and, one of Jez and Rosie's favourite shots from the day too!
Then it was into The Artisan for the reception, where certain small people were starting to look a little tired.
While other small people were full of beans!
I'll admit, this was my first ever time witnessing the best man's speech as powerpoint demonstration. But as it was part of an interactive quiz involving everyone there, and testing their knowledge on some of their funnier memories of Jez and Rosie, it was far different from any powerpoint demo I'd ever seen before.
Jerome is half-French, which goes a long way to explaining his love of cheese, a love that somehow found it's way into the couple's layer cake. Yes, you read that right. A wedding cake made entirely of French cheeses!
Do please feel free to leave a comment, if you enjoyed these pictures, and thanks for reading.
x
Adam
Kiran and Kevin chose Weddings at the Lost Orangery for their venue. Situated just outside the picturesque village of Colerne in Wiltshire, a short drive from Bath, this stately home with private drive, ornamental lakes and breathtaking views across the rolling countryside of the Avon valley has to be the perfect location for a sumptuous, romantic wedding.
While Kiran, as bride, had the good fortune to stay in the comfort and luxury of the Orangery, others, including hardy groom Kevin, had to make do with tents pitched in the grounds outside.
Non the worse for wear for his night under the stars, Kevin was up bright and early to help with organising the day, and of course to scrub up rather nicely.
While Kiran, out of sight, on the other side of the Orangery, looked stunning in red.
And what a blaze of colour the bridesmaids were.
Oh, and did we mention red...?
The civil ceremony was conducted in the charming pergola overlooking the ornamental lake, with guests seated around it.
A joy for the spectator, a challenge for the photographer - that's me - who, with the sun shining directly at the camera, rigged up two flashes in the ceiling of the pergola, to give that nice lit look to the ceremony.
Katrina and Ben chose the wonderful One Whitehall Place as their venue for both the ceremony and the reception of their London Summer Wedding.
“We’d love you to shoot our wedding video and our photography”
Being both a photographer and videographer, this is always my favourite booking. Though sadly I can’t clone myself, and of course Ben and Katrina hadn’t expected me to be in two places at once either, meaning I brought in one of my team of videographers to work alongside me.
One of the specialities of Delirious Films is that we can offer an all-in package. Working with videographers and photographers across the country, I tailor every wedding to suit each couple, which means sometimes I shoot stills, and sometimes video.
On this occasion – as I had always wanted to capture the ambience and atmosphere of this beautiful Victorian building with it’s chandeliers and pillars, its history and architecture, I took the helm as photographer and director and hired in my best videographer to shoot the movie.
On arrival, the chaps decamped to the Churchill’s Bar, drinking in not just the g&t’s but also the wonderful atmosphere of a glorious history.
Churchill was not the only political titan to debate and relax, within the National Liberal Club’s walls: Asquith, Lloyd George and many others shared a glass and a frank exchange of views here. Churchill’s Bar captures this spirit. It’s a place of tranquility and character: of strong words, softly spoken. Ideal for a drinks reception, for small-scale gatherings or a postprandial chat. In the spirit of this great intellectual heritage, as you can see, the boys were deep into a serious debate. Probably about the merits of beer over gin.
Meanwhile Katrina was getting ready in the Ladies’ Room on the top floor, a wonderful, discrete and stylish space that brought out Katrina’s already highly-developed spirit of glamour.
The ceremony took place in the The Reading and Writing Room, a magnificent room that can accommodate 120 people, with its floor to ceiling windows that allow natural daylight to flood the room. The windows provide enviable views of modern day London, looking out across the Thames to the London Eye and the South Bank.
As Katrina's mother is Russian, part of the ceremony was the “Bread and Salt” tradition for when the groom’s mother greets the bride and groom. In the old days, the groom’s mother presented the couple with “Bread and Salt” at the groom’s family house when the bride moved in to live. Nowadays, as a rule, most couples of course live separately from their parents and after an official marriage ceremony or a wedding, the “Bread and Salt” ritual takes place right in the banquet hall where the wedding celebration takes place.
The bride and groom break off pieces of bread, dip them in salt and feed each other. These actions symbolize that they’ll never be without the necessities of life and they will always take care of each other.
When it came to the formal family portraits, luck was on my side. The best end of the library had been cleared, prior to dinner, and there was just space enough to fit and light close family members. With a handy five minutes on my side, I quickly set up a backlight flash to help balance the sunlight, and a studio soft box to give this group shot the Downton Abbey feel.
Then it was out for a quick couple of portraits and romantic shots for the film on Hungerford Bridge, overlooking the Thames, Big Ben, and the London Eye.
This last shot is one of my favourites, and is actually a still from our film that accompanied the photoshoot. Feel free to take a look at the film here:
and do please feel free to leave a comment, if you enjoyed these pictures, thanks for reading.
Adam
It's not uncommon to come away from a shoot having made friends with a couple, and after Don and Kayan's fantastic London pre-wedding session around Westminster, we found we had quite rapport. Imagine then my delight when they asked if I would also shoot their engagement at various locations around the city.
Although this shot of the couple hand in hand beneath the blossoms in Regent's Park is the last shot of the session, it is also one of my favourites, simply because it cries out "Spring! Love! Romance!" and also because, with Kayan's lovely vintage polka-dot dress, it has a classic timeless quality to it.
We started off our shoot in fact in London's Portobello Road in Notting Hill. Don and Kayan had dressed for the part and threw themselves fully into the Vintage theme. While Don is the modest, slightly camera-shy kind of guy - and let's face it, most guys are - you can hardly tell from the pictures. Part of a photographer's job is to put a couple at ease, and a big benefit to shooting an engagement is the chance to get a couple accustomed to being the attention of a day-long shoot.
Of course a good vintage shoot is nothing without a great vintage dress. Kayan sourced her wonderful dress and hat from bowlers in York, while the photographer - yes, me that is - happily let Don have a play with my beautiful retro-styled fuji x100s. More of which, later on.
Kayan had done a little modelling which is always a treat for a photographer – you can see from the poses she pulls that she has a natural flair in front of the camera.
And although we achieved amazing results in colour, helped by gorgeous weather, and the pretty, multi-coloured Victorian terraces and Villas of Notting Hill and North Kensington, still it was hard to resist adding the odd black and white. After all, no vintage shoot surely is complete without a little monochrome styling.
The stalls and shops on the Portobello Road are a magnet for tourists and shoppers, so inevitably on a beautiful sunny London spring day, London W11 was pretty hectic, yet we managed to clear enough space for Don and Kayan to get into their shoot, and I think this in part was simply down to us having so much fun, and them relaxing and getting into the pure spirit of fun that an engagement shoot should be.
Here in this mews off the Portobello Road you can see the fuji x100s at work. A lot is talked about the tones and colours that different cameras produce, and while you can achieve almost anything in Photoshop, you can see the subtle difference in tones and textures between the two shots. Above is taken with my Canon 5D mark iii on a 70-200 f2.8 while below is taken on the Fuji using it's fixed 23mm (35mm equivalent) lens. Of course a telephoto zoom and a medium wide angle lens will produce different results, but what is interesting is not only how great the results are from such a little compact camera camera, but also how - even shooting raw - the pictures have very much their own visual quality and character.
Then it was off to Regent's Park, a location that just gets more beautiful, every time spring comes round.
because no spring engagement shoot is really complete if you don't grab some blossoms. This year, spring came late, so those were words I couldn't utter with assurance to some of my couples, but with Don and Kayan we hit gold! Admittedly some of that is my gold reflector, which I think adds a fabulous look to skin tones, if you are going for something styled, warm and passionate.
And of course, when in Regent's Park, to not feature the BT Tower would just be plain wrong, right?
I like to offer my couples as much choice as possible. So when I deliver photos I always make sure there are a variety of edits. Above was one colour grade that I really like, desaturating the tones of the blossoms, the green, the skin tones. It has a subtle, slightly faded look that I think is quite classy. But for full-on picture postcard vibrant romance, it is hard to resist the full glorious colours that a London spring has to offer.
And sowe come to the last shot of the series which, ironically was one of the first of the shoot. It is almost everyone’s favourite shot and I think I know why. Somehow everything came together to perfectly reference Cartier Bresson, Robert Doisneau, Audrey Hepburn, and Paris and London in the 1950s. Somehow we effortlessly nailed Vintage! How did we do that? Partly because despite the relentless modernisation and development of London, the chains and oyster bars and luxury apartments, Portobello Road has been able to hold onto the charm, the architecture, and the character that made it such an iconic location in the first place. Somehow Notting Hill is still Absolute Beginners, it’s still The Lovers, it still has the charm of say Montmartre or Lisbon Old Town. Somehow it is still picture-postcard London without being cliché.
Thanks also go to Don and Kayan whose enthusiasm and sense of style mirrored this classic, timeless innocence. They say the camera never lies, and these two were charm, style and good grace personified. They were Grace Kelly and Cary Grant, George Peppard and Audrey Hepburn. All I had to do was point and click.
Getting ready at the Lodge Hotel in Putney, with a stunning yet simple white lace dress by Charlie Brear and silver Chanel shoes, Steph looked beautiful while still in her dressing gown. But even on the hanger, you could see she had chosen well.
Details are important—a long row of teensy pearl buttons and a well-placed ruffle or two can mean the difference between a good wedding dress and a great one. But before you start nitpicking the details, the main thing must be to first figure out the silhouette that works best for you, rather than getting caught up in the trend of the moment. Steph had sensibly focussed on her personal style and what flatters her the most.
A long, gorgeous wedding dress with a fancy hem is to die for. Just remember that the top of your dress is what people will notice most—and what will show up in most wedding pictures. The majority of wedding photos that guests take of you are from the waist up
When you feel sexy and glamorous in a gown that has both modern and traditional elements, and you feel like a better version of yourself when you’re wearing it, you’ve found your timeless gown. It’s something that will never go out of style
After all, the secret of a great wedding is in the timing.
With all the organization that a wedding requires it’s easy for a bride and indeed her driver, to lose track in time.
But being a little late is a bride’s prerogative, and when this Cinderella finally did arrive in her carriage, a vintage, classic white Rolls Royce, no one could say it wasn’t worth the wait.
The traditional Anglican ceremony and service at St Mary’s Church in Barnes, was a perfect mixture of heritage and understated, sophisticated style, with readings from family and friends, a couple of well-chosen hymns and some affectionate wisdom from the vicar
And of course, no white wedding is complete without a shower of confetti!
The ceremony was followed by a romantic reception in the London Wetlands Centre, a wonderful and generous space for a Wedding Reception
The speeches fell to the men, as is traditional, and to a man, they kept them short, sweet, touching and funny. While excited brides are finalising seating arrangements and dreaming of their floral designs, for grooms, best men and maids of honour, however, it is the thought of their impending speeches that keeps many of them awake at night.
And that is every speaker's anxiety: What if they’re not funny? What if they’re boring? What if they get too nervous? The pressure to get it right seems unbearable to most. Every speaker has a unique set of obstacles to overcome but there are a few key rules that if followed can lead to resounding success and an evening spent fending off admirers.
First and foremost is to remember that giving a good speech is all about engaging the audience in a story. Telling a story requires colour and personality in the voice and most importantly, remember: Less is more. It's much better leaving the guests craving more of your charisma and charm than sending them to the bar in desperation.
Also don't try and memorise the speech - chances are you're not a actor so every iota of energy spent remembering the next line is energy wasted. You should be concentrating on what you are actually saying. But perhaps the most obvious piece of advice is the hardest to digest. Have fun! Like these guys did. Giving a speech about someone you love is like giving them a present you know they'll adore. It's a celebration, not a punishment.
While obviously time spent with the photographer is time spent away from your loved ones, it’s always nice to take a couple off for a stroll for some posed and relaxed portraits. A chance to unwind from the bustle of the day and get some one to one time, to catch your breath, and to catch up with what has just happened – the most dramatic day of your relationship to date! You got married!
While the first dance can be something a lot of people want to invest time and effort into, even hiring choreographers and rehearsing sophisticated dance routines, for others it can be a very nerve-wracking experience, almost as scary as that moment in front of everyone where you exchange rings and vows at the altar.
For many, those few minutes can seem to stretch into hours and it is too tempting to beckon your friends to jump up and fill the dance floor and help take the attention off you. For a photographer, grabbing those precious, precarious few moments can be daunting, but at the same time, for the couple, as with Pete and Steph, the most important thing is to be surrounded by loved ones enjoying themselves.
Because surely the secret to a great wedding should be that everyone has a good time, and that the happiness and love is shared and felt by all